The puppet is the eternal soul fallen from heaven and memory in those transparent bodies of contingency 
—Alfred Jarry—
The company 
The staff

Miguel Ángel
Gutiérrez Espinosa
Artistic Director and Founder

Yaxel
Gutiérrez Gutiérrez
Special Projects Coordinator

Zian
Gutiérrez Gutiérrez
Music Production Coordinator
“The puppet is the eternal soul fallen from heaven and memory in those transparent bodies of contingency”
– Alfred Jarry
History
Luna Morena is an interdisciplinary puppet theater company founded in 2001 in Mexico. We are dedicated to creating, sharing, and promoting the art of puppetry in all its forms—traditional, experimental, and everything in between.
For us, puppetry is more than performance; it’s a powerful language that speaks to reason, emotion, and human sensitivity. It opens a space where the spiritual and the artistic can meet. We see puppet theater and animated forms as a bridge—connecting people, ideas, and cultures, while fostering dialogue and reflection.
At the heart of our work is an ongoing laboratory of exploration. Through the fusion of theater, movement, music, visual arts, shadows, objects, and masks, we seek to craft our own poetic and universal language. Our shows create dreamlike worlds that captivate contemplative, curious, and sensitive audiences of all ages.
Over the years, Luna Morena has built an international presence, with performances across Mexico, and in countries such as Canada, China, Taiwan, the Czech Republic, Colombia, Spain, France, Scotland, Germany, and the United States.
We are passionate about the transformative power of the arts—and we believe in puppetry as a living, evolving form capable of touching hearts and minds around the world.
Objectives
- to generate meaningful artistic experiences that foster the development of intelligence, skills, values, and attitudes in both artists and audiences.
- To promote the recognition and revaluation of puppetry as a vital and meaningful art form.
- To pursue the professionalization of the performing arts in all areas, including education, production, research, and dissemination.
- To build relationships with professional artists from diverse cultures, encouraging contemporary reflection on our performing arts and fostering collaboration through the exchange of artistic practices and the development of new forms and techniques in puppetry.
Precedents
This is a story that begins with a tear. A story of what is known—of how, in the beginning, she was there with him. Together, they shed lonely tears as they created the first rainbows. Together, nameless, like a crack in the void. Together, making noise—the noise that would become the ocean and its waves. Together, tracing the geography of the Earth and the lines of the hand. Together, drawing the border where night and day gaze upon each other.
She, seated on a circular rose. He, upright, embracing infinity in her breasts and creating stars from the sweat on his back.
She, He. He, She.
Left behind in space is the ominous shadow of an immense tear. The timid clarity of death lingers. Chaos sings, and its echo cries out across the universe…
(Fragment from the piece “SOMA: Bodies in Free Fall”. Text adapted from “Altazor” by Vicente Huidobro.)
The image of the dual creator of the universe—a concept shared by the cosmovision of many ancient American cultures and other world philosophies—has been a recurring theme in our artistic path.
Luna Morena was born from the creative union of Ana Zatarain (More) and Miguel Ángel Gutiérrez. Together, we embarked on a journey that gave rise to two of the most important projects of our lives: our family and our art. The Luna (he) and Morena (she) project emerged from a deep need for expression, communication, and connection with the world—a need that soon became a life mission filled with meaning.
In the beginning, we turned to the traditions, stories, and legends of Indigenous American cultures—rich and relevant sources of wisdom—especially now, at a time when the Earth’s call and the silenced voices of our Indigenous ancestors cry out to be heard. These voices, still alive in our blood yet often rendered invisible by political and social systems, found a way to speak through humble materials: wood, paper, natural fibers, plants, baskets, and instruments—fragile matter acting as mediums for stories, songs, and ancestral knowledge collected with reverence.
These were the first steps in a journey that would gradually transform into a vibrant mosaic, diverse and complex, reflecting the heterogeneity of its origins. Over time, the materials evolved and began to find more refined forms of expression and movement. Our themes expanded, our interests deepened, and our creative needs multiplied. Through new perspectives and distant geographies, we explored exceptional processes that helped us grow—as individuals and as artists.
Through our failures and small triumphs, the Luna Morena family was born: multicultural, unique, and overflowing with life.
Plays 
Special projects 
Theater as School
“Theater as School” is the result of our reflections and practices at the intersection of artistic and educational processes within public schools. We have brought the performing arts and their creative processes to children and families who have lacked aesthetic experiences due to challenging circumstances. Our goal is to use art as a catalyst for fostering community and its connection to education through empathy, dialogue, and creativity, in order to counterbalance the negative realities children face daily in vulnerable environments.
Integral Puppet Laboratory
The LIT (Integral Puppet Laboratory) focuses on stage experimentation grounded in the concept of “Theatre of Animated Forms”* — understood as the plastic, symbolic, and dramatic exploration of all types of puppets, objects, and two- and three-dimensional images that can be imagined, constructed, animated, and manipulated for the stage or interdisciplinary theatrical experiences.
The laboratory explores the relationship between puppetry and other artistic disciplines, aiming to engage in holistic creative processes that start from the art of puppetry. The outcomes include the creation of exercises, tableaux, or scenic experiences of various formats, employing different construction and animation techniques.
Additionally, this project seeks to foster a community of young artists who immerse themselves in the practice and creative exploration of puppetry, its aesthetic possibilities, and its contemporary applications.
Exhibitions
Luna Morena has held two retrospective exhibitions of its work. The first took place in 2019 at the FIAMS Festival (Festival International des Arts de la Marionnette in Saguenay, Québec, Canada).
The second exhibition was presented in 2021 as part of the company’s 20th anniversary celebrations and was hosted at Luna Morena’s headquarters.
Contact us 
Colabs, questions, suggestions or greetings, you can send them to us here.

Address
Federalismo 736, Col. Artesanos.
Guadalajara, Jalisco. México.
C.P. 44200
titereslunamorena@yahoo.com
festindetiteres@yahoo.com
Phone and WhatsApp
Phone: +52 33 3613 2571
WhatsApp: +52 33 1262 3533
Títeres Luna Morena. 2025.