Martina and the Birdmen 
Synopsis
This is a play that addressing the migration topic from the perspective of a girl who suffers abandonment caused by poverty; as well as touching on a current issue that represents and moves us as a nation, it is a play worthy of being performed before young audiences.
All the birdmen who emigrated to the United States in search of work have already returned, all except Martín, Martina’s father, who in his eagerness to recover his father from oblivion makes a mind-blowing journey through the adventures and dangers that an illegal emigrant has to go through.
Credits
Martina: Karina Hurtado
Mama, Tendera, Víbora, Lobo, Dorotea, Bruja: Claudia Anguiano
Vieja Chimiscolera, Niña uno: Meztli Robles
Don Chipote, Skin head, Bato Loco, Memo: Mario Montaño / Andrés David
Martina’s complement: Meztli Robles, Mario Montaño, Andrés David
Direction: Miguel Angel Gutiérrez
Assistant director: Altagracia Vázquez
Production: Liliana Rojas, Staff Luna Morena
Administrative management: Ana Zatarain
Broadcasting: Julie Le Goudivès, Anael Rojas
Design of puppets, masks: Rita Basulto
Elaboration of puppets and masks: Rita Basulto, León Fernández
Scenography and lighting design: Luis Manuel Aguilar ‘Mosco’.
Costume design and elaboration: Bernabé Covarrubias
Set design and production: Centro – Centro
Set design: Gaby Bautista
Animation design: Juan José Medina
Animation production: Manuel Aldana
Musical composition: Nathalie Braux
Music recording performers:
Nathalie Braux: clarinets, alto saxophone, Lakota flute, keyboard, accordion, alto percussion.
Cuauhtémoc García Verdugo: transverse flute.
Miguel Ángel Gutiérrez Prado: guitar
Rogelio Castillo: accordion
Luis Eduardo Arreola: electric bass
Héctor Aguilar: cajón, bongos, darbuka, guiro, triangle
Recorded at: Sonica Estudio
Rogelio Castillo: recording, mixing and mastering Popular theme performed by AMPERSAN.
Projections: Selene González, Oscar Ortega
Graphic design: Brenda Solís